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Live user Rob Galbraith has previously mentioned:In many ways Live is similar to Max for Live. Both are mappings and sequencers that allow the user to express themselves creatively in a graphical way. I find Live’s project offerings much easier to work with than Max for Live, and I’m a sucker for easy ways to do things.

With live you can literally view the music as if you were in the studio working with one of the engineers. Live takes full advantage of the now ubiquitous wireless interconnectivity. This means that your live set can be synchronized over any wireless link, no matter where in the world it is. This is absolutely crucial in a live setting because now a single well-synchronized line of audio can be shared across the world and even several different live sets could be sharing it. It is also much easier to synchronize and share different live sets when you dont have to worry about setting up multiple patch bays and patch cables.

With the timeline at the heart of Live the ability to easily share audio and video over a network is much easier. In earlier versions of Live, you would have to establish MIDI sync with a device running Max, find a stable line of audio on the Max bus and then visually synchronize to the timing of the Master Bus. It could take several hours to get everything just right, and then its just that much more work to keep it synchronized. Live with Max for Live/Jitter/Max, on the other hand, lets you synchronize devices any time using Ableton Link, and then you can search the audio and video through the main device timeline using the built in track editor. This saves tremendous amounts of time.

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If you use libraries or sample packs, the Build Path feature allows you to rearrange the order in which they’re used, and sometimes even add or remove groups altogether. You can also mix and match live parts from libraries, which is great when creating songs with other musicians. And, like the similar Patches feature in Logic, you can create patch presets, and assign them to clips in your track.

This is where Live’s biggest weakness lies — Live is pretty limiting in its topology. Most producers will find that its workhorse, but if you plan to use your DAW in a different manner, Live won’t be able to do what you can. This is why it’s no surprise that Live is one of the more expensive DAWs on the market, as it’s the most expansive of them all. This is why many producers are starting to look elsewhere.

If you’re familiar with the pattern of a Pro Tools project, the Session timeline will be a bit of a mystery. Live is designed to be able to track all of the audio in a song, and to be able to shuttle between all of the different MIDI parts in the track. So, it’s slightly like having many separate Audio Tracks with their own Studio Tracks, all in one Project. The real challenge is that once you’ve got your track in an arrangement-like form, you’re limited to what you can do. Even if you take a basic audio recording, they can only be copied to any track they are contained in.

You can go through the process of using your MIDI controller without having to use the MIDI part in your song, and you can even use it to act as the Instrument Track by sending everything to it. If you have a MIDI controller, the conversion happens live.

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There are some basic improvements in Live, but i think one of the greatest features is with Live’s audio in / audio out situation. Live lets you connect to any mixer or audio interface, whether its an XLR master, line in, or line out. You can even use an analog mixer and mic at the same time.

Ableton has done a great job making Live an exciting and more intuitive option for music production. If youre looking for more in depth info, I highly suggest taking advantage of the Download Ableton Live Blog; its a great way to keep up to date on whats happening in the industry, and theres always new feature information. You can also check out the other Live training guides on this same site, like the highly recommended Max for Live and Push Guru guides by John Wicks. Stay tuned for an update on which trainers Ive been testing out to take you even deeper.

All of this is great news for musicians in search of the next version of their instrument to add to their studio arsenal. If youre interested in purchasing a copy of Live 9, you can purchase a discounted 30 day trial on Ableton.com. Live 9 is available for $299 (originally priced at $699.99) and can be upgraded to a one year subscription for only $149. Now, if you have to ask, then you cant afford to own it!

My latest project with Digidesign is finishing up. Ive installed a Mbox of my own, and have a Mbox Studio for the studio. One of the features I love about my system is that the Mbox is modular and can be toggled on and off with a shortcut I assign to a keyboard macro. If youre curious about how I set this up, check out the video below. My studio is also set up with an Ampler Audio Firebox perch in front for the speaker i fire up when Im at home, and a Soundcraft Firebox for the studio when I record outside the house. Both are connected to my main system with an ILO2. My system is a full fledged audio processing rig. With a fully functioning Mbox and a Soundcraft Firebox, I can record drum-machines and synth lines at the same time as playing out my mixes, and whenever Im home at the flip of a switch, I can use the same rig to play live.

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Ableton Live Features

Plenty of instruments, synths and effects
OSX: There is a mac build of live currently but only one LEVEL (which is considered to be the version for the standalone app) and none of the crossgrade functionality
or
multitrack functionality. I have not found any reason to think that this will ever change. A multitrack system would be a very useful and often times will be one of the first things you must have in order to be successful.
UI: The UI is clean and intuitive. You can drag instruments from the track controls into a mix where you can then do you usual drag and drop to make new tracks. I like this feature but im not sure how others will like the fact that every track has the same default track controls. This could be argued as a pro or con.