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The new Auto Zoom feature lets you create a composition that is locked to a specific aspect ratio by adjusting the camera’s field of view. Then, simply double-click inside the viewfinder to zoom the image to fill the area.
Camera Matching transforms the photo to look like it was taken by a different model of camera. For example, if you have a shot of your kids that looks great but when you share it with friends, your friends might think you took the photo with a much nicer camera. The feature scans through the camera settings to produce a similar effect to the current model of camera.
Tracking lets you lock an image’s exposure, white balance and focus as you move the camera around the scene. For example, if you take an image on a bright sunny day and then follow your subject as they cross a garden bed, you might have the potential to control the image’s exposure, white balance and focus as you adjust the camera in real time. This uses the existing focus engine from Lightroom, so it should perform well. While the tracking is turned on, you will see a red dotted circle appear while you move the camera, marking the scene’s edges.
The new Sharpen/Smooth brush is now available in Camera Raw. This feature is a great way to enhance details while maintaining image clarity without losing detail. It offers a powerful range of controls including Amount, Radius, Threshold and Orientation. The optional High Pass filer also allows fine control over this feature.
You can now group a batch of adjustments and re-export them to a new folder or for a new set of images. This is one of the most useful tools in Camera Raw and one that we will be using more and more as the size of our libraries grows. For example, if you create a set of presets for a family vacation, you can then save the adjustments as a single group and re-export to include them on all images taken for the vacation.
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This is a great tool and I use it regularly and think it is worth the price. Having said that I would hope that an update to an upcoming release of Adobe Lightroom (v. CC and CC in one, to be released this year) would also include the tools to work with Raw files within the application, rather than being restricted to exporting. Being forced to use another application or application to open up Raw files leaves less clarity, which in turn is definitely not something I would appreciate.
The upside of this change is that you will be able to upgrade LR and still keep your RAW files. The downside is that you won’t be able to upgrade or downgrade Adobe Camera Raw at will. Adobe Camera Raw gets an upgrade about once a year, Lightroom gets an upgrade every few months.
On the other hand, if you have any file formats with old DNG extensions, such as ABr, ALBr, ANYBr, you can use them. I have added DNG to the list of supported formats in camera and application presets. This list is provided in a context menu that appears when you choose Preset from the Preset menu. The images in this context menu include the current or the last selected preset.
Adobe Camera Raw Key provides a PDF file viewer. You can open, save and print Adobe PDF files in Adobe Camera Raw. If you use Camera Raw to open a PDF file, the program will prompt you to install the Adobe PDF plug-in. After that you can open, save and print Adobe PDF files in Camera Raw.
This version has the Adobe Camera Raw plug-in for Windows OS X. A plug-in is an optional, extra software component that is downloaded when you install Adobe Camera Raw. On computers running the Macintosh operating system, the Adobe Camera Raw plug-in can be downloaded from the Mac App Store or the Adobe website. Plug-ins provide feature enhancements and interface improvements to the application and help provide optimal workflow performance.
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What’s new in Adobe Camera Raw 14.5?
It is too soon to know if Topaz will bring over the new Camera Raw functionality in a future update. Here’s hoping they do. Until then, I suggest every new user try this experiment. Switch the Preview option on and off to enable them to compare their work with the unprocessed version before they add any adjustment.
One of the updates to the latest major version of Adobe’s powerful raw conversion/processing application, Camera Raw , is the 188.8.131.52 update available now for download. The update includes a handful of minor and major improvements to Camera Raw.
Neil, I read your article on Photoshop Lightroom and it was very interesting to see what they compared it to. Another tool I use very often is Photoshop, but I havent tried Lightroom. I use Camera RAW a lot and like it alot. I only wish Adobe would put a little more thought into their native Camera RAW and instead of a just a trade-off between what they can do and what Lightroom could do. They should really be one and the same. Their technical support isnt the best, but I would rather have them tell you what theyve done and help you with their tools than having someone tell me that theyve done something that I might get more use out of if they hadnt. I just would rather have them tell me when I am wrong. I could understand the decision to leave the past workflows alone, but to do what they did I do feel they have left a pretty large chunk out of the Photoshop world. Thats not a knock on them, it is just a statement I feel they need to make.
Neil, what I find so frustrating about the new 8-bump blending modes in Camera Raw is that they seem to only work for DRAMatik processing. Ive found that the Cb and Cr channel files dont behave like they should for Blending – Satin, Vivid, etc. from the GLSL / Havok 3D renderer. What happens with these is that they can blend over 100% without color changes. Which is ok, but when they stop blending, the colors just “pop” at 100% – which is not what blending should be doing. Ive also noticed that when the Blending is being done in the entire channel (for example the raw file is 8bpp RGB and the LAB channel is blended) then it works fine. But when you are blending individual channels – say the LAB channel and the Greens channel are blended – then the Cb and Cr channels dont blend at all. But the color channel – ie. the entire channel – blends perfectly. And Ive noticed this with both 8-bit and 16-bit files so it isnt purely the 4-bit level. Also, Ive noticed that if you have a 16-bit file like the one below that were combined in Photoshop into a 16-bit LAB with channels and then brought back out to 8bpp, the colors that werent blended in camera before are all blended again – even though Ive changed the blending mode to Blend All, Recolor, etc. which should let it use the 8bpp levels
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Adobe Camera Raw 14.5 System Requirements
- Mac OS X 10.7.x or later
- Quartz 2D library (available from Mac OS X 10.6)
- OpenGL ES (OpenGL 2.0 supported)
Adobe Camera Raw 14.5 Features
- High performance GPU processing for Red, Green, and Blue channels in final output layers. While the performance of the overall processing pipeline has been greatly improved, the R, G, and B channels are processed in the GPU space to maximize performance.
- The Red channel employs a new render-to-GPU approach, rather than normal render-to-memory or component layer rendering, to eliminate temporaries. This provides much faster Red channel processing.
- Red channel processing is now enabled on machines with <= 2GB of DDR3 memory, as well as machines with > 2GB of DDR3 memory. The Red channel can be used for anti-aliasing and noise reduction. The ability to render to the GPU with Red allows the Red channel to perform quickly and with maximum accuracy.
- GPU accelerated Noise Reduction (available only on Macs) offers more of the best in noise reduction than the previous algorithm. Noise reduction is an important tool for removing unwanted granular noise from images and it is an important step in RAW conversion.
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