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Despite many of the same limitations (see our Pro Tools 12 review for more info) as Pro Tools, Cubase, and Logic, Pro Tools Mobile 2018’s primary user interface makes it much better to use than either of the others (because it’s touch-only, but that doesn’t limit the number of licenses you can buy). Also, the mobile app remains a must-have for iPad users, and it can manage for up to four apps or devices at once, which is a lot. I don’t think it’s the future of recording and mixing, but it’s still a fine little app.

Adobe Audition is still a very capable program for working with audio. The latest version (version 5.5) is optimized for OS X Yosemite. Adobe has done a fine job creating a solid, no-nonsense audio editing app with all the functionality you need for recording, editing, mixing, and mastering. Audition has all of the functionality you’d expect from Pro Tools, but you’ll find it a pleasure to use.

Audition is a very capable audio editing program, but for those of us who are used to Pro Tools, it can be tough to figure out. It’s good to know it was tested against other audio editors, but in terms of ease of use, I preferred the simplified nature of Pro Tools. Avid does offer a less simplified version of Audition called Acustica, which is a much better alternative for those who are used to Audition. Avid also offers a very capable audio production suite called Fusion, which is based on Logic Pro and its suite of tools. If you’re looking for a more affordable audio production software/DAW, give Fusion a shot.

The project management aspect of Pro Tools is a little unusual but still valuable. The Project library features a more traditional set of tools for navigating your projects. You get a host of tools for organizing your projects and each project can have its own settings. There are also different views for the same project to show you the track status, tools, and settings. In the views, you can navigate by instrument, channel, or folder. I found that navigation was a little odd at first because it required some playing to get used to. But once you figured it out, you’ll find it to be quite powerful and flexible.

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Its new Studio Cloud feature makes it easy to share your song libraries and projects with other collaborators. You can also store the libraries on the web, with updates you can share with a single click. As a bonus, you can upgrade to Pro Tools’ unlimited download-per-month plan for only $99, and you can sign up for the 12-month version for just $399. You may have to pay up for the larger plans, but as someone who shares a computer with my wife, it’s worth it.

Released in September, Avid announced their Pro Tools Express, a version of Pro Tools that is essentially a repackaging of Pro Tools Service Center for commercial use. Avid keeps a small team to maintain the code, and also provides a free version of its software development toolkit (SDK) for developers. Like Pro Tools, Pro Tools Express is now only available as an annual subscription. For $1,539 (Studio), or $2,379 (Flex), you can download Pro Tools Express from the Upgrades page. There is no price break compared to the previous version.

Kontakt, the fifth version of Pro Tools, is now in development, and is expected to be released by the end of 2019. It will be a giant leap forward in respect to the popular Apple and Steinberg libraries and plug-ins, along with new libraries and modeling plug-ins that are compatible with non-Apple systems, including Linux. New hardware is part of the plans, with the release of the new Verve V-Player, and there are rumors of a Pro Tools-based iPhone app as well.

It is true that the price of Avid’s Pro Tools licenses is notoriously high, but those who need to be able to get their hands on the code, not just use it and throw it away, should ask about the various subscription options. Admittedly, it’s a nicer price than using the subscription option for other applications, like Adobe Lightroom, but there’s a reason why the cost is high, and there are plenty of other DAWs that come with a lower price tag.

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What’s new in Avid Pro Tools?

Pro Tools 11 will be available for Pro Tools users Oct. 12, with Pro Tools-HDX users receiving access to Pro Tools 11 within weeks. With Pro Tools 11, you can create and play audio, video and MIDI in as many ways as you can imagine, whether you are mixing, scoring, composing, mastering, or performing in your own studio or on the road.Pro Tools 11 features an expanded mixing toolset, wider color workflow, and more powerful performance capabilities. Pro Tools 11 also offers more advanced integration with third-party apps and expanded MIDI sequencing, enabling you to take advantage of tools you may already use in your work. The performance features include innovative features for scoring, audio and MIDI editing, performance, and mixing. And the expanded color features include ICC color management for richer and more accurate mixing. Together, these tools and features give you powerful tools for all of your creative projects.

In Pro Tools 11, you can add, relocate, and modify the compression on nearly any type of object in a session, whether it’s a single track, group, or library. Add or re-order groups in any session, and drop any of the objects in the session on the fly. Modify presets on the fly or create custom presets that don’t clutter up your current project. Pro Tools 11 also helps you to quickly and easily create, maintain, and modify group configurations. For instance, you can change a beat group’s order without making manual changes or adding other objects to the track.

Get access to our widest range of plugins ever with the free download of Avid Plugin Central. Plugins can be installed directly into Pro Tools, or you can browse a curated collection of new and established third-party plugins directly from within Pro Tools. Plugin Central also includes support tools, a WordPress-based user community, and all the content you need to get productive quickly and easily. All plugins that are installed in Pro Tools will be available for immediate use in Avid Plugin Central.

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Avid Pro Tools Features

64 channels of I/O support (up from 32)
Pro Tools 7 now supports 32-bit floating point rendering for better compatibility with 24-bit and other high-resolution formats. This means Pro Tools can use any modern 24-bit/96 kHz interface including 24/96 Tascam, 24/96 Studer, and 24/96 Avid DAWs like Nuendo, Sibelius, and GarageBand.
Pro Tools 7 now supports AudioSuite for HDX for improved creative control using Big Broadcast Group’s HDX audio console and other HDX hardware, and 2 GB I/O limits
System Requirements:
Mac OS X 10.5 Leopard or 10.6 Snow Leopard
64-bit Intel processor
2 GB RAM
4 GB available hard drive space
Pro Tools Media Funded by the Avid Community

What’s new in Avid Pro Tools

You can use the values of the Nudge and Grid controls in the Roles column in the Tracks window to animate out or in a project window/module/folder track when you move the mouse cursor over that track.
You can view the auto-generated ‘Bass Peaks’ command directly in the Commands window.
In the Project Dialog, the ‘Manage Sessions’ button is now greyed out for projects with no editing sessions.
The ‘Section/Folder’ Dropdown menu in the Start/End automation controls on the Timeline has been renamed to ‘Mark’ – The dropdown now only shows Marks.