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The camera profiles and presets dialog is where the new version really addresses the most basic usage issues. Presets are now clearly displayed, and still all the preferences are there to allow for further fine-tuning. Thumbnails are displayed with a white center. The profiles are also easier to navigate and search, and in particular the Radials and Shadows presets have been moved to an area just below the equivalent RGB preset. I also found that the display of the preset files is also a lot clearer and easier to read than before. A couple of other features add greater power to the Presets dialog, including an easier way of adding custom profiles to the dialog.

That said, the Arrange by function has now been updated to match the change in the way Windows operates, and the same issues apply to this function that I described in my review of Camera Raw 14.1 as follows:

The first thing I noticed when loading Camera Raw 14.0 back into Photoshop (13.2 was installed) was the change in the way the left-hand mode control works. By default, the slider at the bottom of the interface is labelled Modes. This is where I would expect to find the modes I had previously selected with the +/- icons (NIK Look, NIK Baseline, Control Point, Detail and Local).

However, when I loaded Adobe Camera Raw Cracked 14.0 back into Photoshop, it automatically loaded the last mode I had used with the NIK Look panel: Detail. This was true of any new image that I opened after installing the new version of Camera Raw.

The thing that wasn’t in plain sight was that I had been using a test look while viewing images in Camera Raw. So, I was selecting between the effect of NIK Look and Control Point, and applying it directly to the image. When I moved my mouse over the Control Point Options and clicked Modes, I saw that there was actually three modes available: NIK Look, Control Point and Detail. The default used to be NIK Look and the minor change was that it was now a slider, with Control Point and Detail as alternative modes.

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There are several changes and improvements in this version of Camera Raw. Highlights: faster execution, quicker switching between DCP and files, new RAW file formats, and finally better performance using multi-threading (GTX GPUs).

We have added New Creative Cloud and S3 MB storage space. We now offer unlimited storage space for all CC and Adobe Bridge users. When files are backed up, they are counted as real content, not emulations. That means if you have a large photo library, your storage will grow along with your new photos. This storage will be allocated based on a sliding scale of usage. Thus, for example, if you have created a library with 100GB of content, you will get 100GB of storage space. If you upload 10 photos, your storage will be increased by 10GB. As long as you do not exceed the storage that you have purchased, you will not be charged.
The Storage is per device, and you have to activate it on a device to share the space on all the devices that you use. Thus when you share a photo on Lightroom or Photoshop from your camera to a PC, the file will count as real content. It will not be an emulated version. And if you upload an image from your phone or tablet to the cloud, the file will be an emulated version only.
Adobe Bridge will now automatically start sharing content from your library to the cloud. There is an option to turn this sharing off. When you use this, Bridge will still save the files in your local library. But they will not count as content, so there is no real storage space. But there is the benefit, that the files will be more accessible across all of your devices and you will not have to remember to update those files via the cloud.
Another new feature is the Adobe CC Bridge Grid. The new grid format allows sharing between team members so that everyone can stay in sync.

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Adobe Camera Raw allows you to customize the process itself by offering a wide range of sharpening, exposure, and color adjustments that are grouped under tabs.Features include White Balance, Retouch, Tone, Color, Black & White, and Vignette. Adjustments include Local Adjustment, Adjust Gradient, Recover, Diffusion, Tone Curve and Local Adjustment tools that are available under the tab named Camera Raw-Local Adjustment along with Adjustment, Auto Mask, Noise Reduction, Sharpening, Blur, and Local Adjustment tools that are available under the tab named Camera Raw-Contrast. In addition to this, another tab, Lens Corrections, provides an assortment of lens-related corrections such as Lens Profile, Auto Lighting, and Noise reduction. For a comprehensive feature list, please refer to the section below. The feature list can also be viewed by selecting Reset Camera Raw Settings (Menu bar/Properties/Adobe Camera Raw/Reset Camera Raw Settings) from the File menu.

This plug-in takes raw images and “re-renders” them as though a professional photo lab was involved in developing the negative.When processing images, the Camera Raw plug-in uses all of the same basic tools available in Adobe’s Photoshop.It can process only images that have been captured using Epson’s Perfection V750 Pro or Leica’s X1 ii, X1 is, X2, X2 Wide, X2 Zoom, X2 Compact (see the list of supported cameras below) cameras in both JPEG and RAW formats.At this moment, the plug-in is compatible only with raw files generated by Canon’s EOS-1D series, Olympus’ E-M1, Sony’s A7 series, and Pentax K-3 digital SLRs in both JPEG and RAW formats.Further, the plug-in supports both JPEG and raw file formats, but can process only the raw files at this moment.When using JPEG mode to process a raw file that has been created using raw mode, the output will be recorded as a JPEG raw file and vice versa.There is one exception to this: If you process a JPEG image that was saved in raw mode using RAW mode and set the Color Tone property of your plug-in to luminance (the default setting), the processed file will be recorded as a JPEG color file and will contain luminance information in the EXIF.

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