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If youre interested in Cubase you can learn a lot by using it yourself and then explaining to your friends what you discovered. This is one of the best ways to learn and have fun. It might also be a way to create an open community of producers who can share tips and tricks.

All audio software involves trade-offs. This is no different. Cubase is one of the better budget DAWs out there. If youre going to spend a ton of money on a software, you may as well go all in. The software and hardware are easy to use, so if you have someone who knows what they are doing, you should be fine.

Cubase PRO is a powerful piece of software. Its a very strong software packed with features and has everything you might need to record, compose, mix and master your music. The software is continuously updated and is now split into different versions, from the basic one a bedroom guitarist could use to the Pro version reserved for serious producers.

Theres also an advantage to learning how to use Cubase on a multiple tracks, because you can lay your audio out on a timeline visually, and you can notice the difference between the files on a single track versus the files on multiple tracks. If you plan to blend your audio across tracks, you could add more audio tracks than you would if you had all your audio on one track.

Overall, I like the graphical visual design REAPER offers, but you can also use your mouse on an area like Cubase Keygens track editor or a MIDI editor on your PC, and use your computer mouse to work your way around. The only reason I would recommend that you use REAPER for electronic music production is because of the Track Editor, which I use everyday.

There are a few different speakers in the nordic.fm’s review here
http://www.nordic.fm/software/reaper/

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Cubase’ Sequencer and Song Designer tools let you arrange and sequence parts of your song one to two and four bars long for easy playing and arrangement. You can re-arrange the sequence at any time, bringing in and organizing any audio, MIDI, or instrument tracks you have included in your song.

All the functionality and power of the Kontakt Player Pro are included in Cubase, so they can work together as they would in any other host – the Kontakt 5 Player, for example, works just fine with any host. Cubase also includes the ability to export your song into almost any format, including the Apple Loops, WAV and Apple Loops iBook formats and AAC, AIFF, MP3, CELP and M4A formats. And you can save your song as an Audiobase, Apple Loops or Apple Sequence project.

Whether you are a professional musician or a beginner just looking to build your first instrument or song, Cubase allows you to do it all. With over 200 innovative, easy-to-use features, which include 64-bit audio capabilities, HD visualization, professional artistry and a host of new sequencing and performance tools, you have complete control over your audio and audio/MIDI tracks, performance and sequencing.

Hence a good track has a lot of elements, everything is important to a complete and effective song. Use a balance and dynamics tool such as the Plumb Point plugin, and hear the big picture. Imagine how it would sound if your drums had a second mic or if you had included vocals with a track that has got no background instruments on it. Like it? Then move on to tweak the tracks to your liking, in any of the 126 insertions, effects, or categories that are included in your Cubase project, such as key, time, effect, drummer dynamics, and more.

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You can now right-click on a track, or module in Reason, click on the record button, and click on the green arrow. Choose Browse and navigate to the Reason folder containing the file. Then click Open. Now, we can play the file in the sequencer. If you try and make changes to it, they will directly carry over into the Cubase file.

If all has worked correctly, Reason will have defaulted to sending its master stereo outputs to Cubase’s mixer over ReWire. In Cubase, go to the Devices menu and choose Reason ReWire. Activate the Mix L and R channels and play the project. Any sounds in Reason’s sequencer should now play through into Cubase. This would be one way to easily use a mastering processor like iZotope Ozone on the live output of Reason without having to export from Reason first.

This is the inspector. You can clearly see there are no plugins installed in Cubase. To get started, double-click on Cubase in the program folder to open it. Then follow the on-screen instructions to open it up. The default project template is called Blank. Switch to that in the File menu, then open it.

When you install Cubase, it may ask you to choose where it will save your project files. It is important to save them somewhere that is on a hard drive. (If you save your project files on your hard drive, make sure you back them up.) This is especially true if you switch computers. Cubase is not a cheap program. So, it is best to save the project files in a folder in the hard drive, rather than use some cloud-based storage system. In the upper right of the screen, you will see the track transport bar. This is where you are controlling the track. When you are simply playing tracks, or working on a track, it is likely you will always be at 100% Time. That is, it will always be playing at the expected tempo of the sequence. When you record with Reason, you can specify when the song is being played. In order to specify the tempo, you will need to slow it down first. To do this, click in the tempo bar. Then click on the Time Automation button and adjust the time accordingly. This will slow the tempo to match your new desired Time.

Cubase Features

Great new Audio-to-Audio Instrument Re-Sampler. Enjoy the never-before-seen freedom of doing your own backwards and forwards sampling with audio or MIDI data, as you always have in Cubase, but now you have complete control of the sample source and sample rate.
Improved Grid View. New features, including grid-visualization buttons, instant grid-size change, keyboard-shortcuts and a multi-threading mode. Drag and drop grid-track-list editing is also extended to all editable and poly-stitched regions, plus possible outer (even invisible) region-alignments for multi-threading.
Greatly improved synchronization. Synchronization speed improved by a factor of 4x for IR and by a factor of 10x for Live Sessions. Sends also improved, even for IR and Live Sessions.
Automation and controls. New controls and automation have been added to IR songs, and the user can now create automation for SmartTracks and MIDI tracks.
User Interface. New view-layout, drag-and-drop functionality and settings, and vastly improved context-menus.